Daniel Adolfo, Caracas, Venezuela, 1990.
Its bet is based on the interaction and investigation of forms to create a link between the visual and the sensory. He approaches the image as an investigative process where his research on drawing, painting and the appropriation of a monochromatic palette act as conductors to achieve a conceptual alteration and achieve a language of their own. Beyond representation, Daniel Adolfo explores the limits between the figurative, pictorial, and the possibilities of transforming spaces from a construction of a language and a nature of their own.